When a witness's son is kidnapped, Chicago's gangland erupts into chaosOnce a college football star, Bill Hanrahan has had a hard time of it ever since his bad knees kept him out of the pros. He became a homicide detective with the unfortunate reputation of losing witnesses and loving the bottle. Now Hanrahan is off the sauce, and working a job that should be straightforward: He's guarding a mob informant's ex-wife and teenage son while they tour colleges. Everything is fine until the last night of their trip. At three in the morning, Hanrahan hears shots from their motel room. By the time he breaks down the door, it's too late. The woman is dead, the boy has been kidnapped, and Hanrahan wants a drink more than he ever has before. The mob issues a simple instruction to the informant: Kill yourself and your son lives. Hanrahan and his partner, Abe Lieberman, tear the city apart in search of the kid, hoping against hope that for once they will be able to keep both witnesses alive.

W. C. Fields may be Hollywood's reigning jester, but he's no fool. For forty years he's cached over a million dollars of his lucre under assumed names in dozens of banks all over the country. The verdant towns have names like Coshocton, Ohio, and Rifle, Colorado. The noms de guerre have the distinctively Fieldsien ring of Otis Cribblecobblis, Quigley E. Sneersight, and Cormorant Beecham. But now a man who calls himself Lester O. Hipnoodle, a public menace with a maddeningly unspecified score to settle, has somehow lifted the great man's bankbooks and roams the nation cleaning out Field's deposits. America's flying fortresses successfully bomb the Nazi port of Rotterdam. In North Africa, General Montgomery advances on Rommel. British subs sink six Axis ships in the Mediterranean. And Toby Peters, the not always gainfully employed sleuth to the stars, has an assignment - get back Fields's money. From Altoona to Ottumwa, from Panguitch to Lompoc, Toby maneuvers a Cadillac sedan in the company of the martini-tippling, Indian club-juggling, pontificating Fields. Hipnoodle taunts them with tantalizing clues and harries them with the occasional bullet. The ugly specter of the Ku Klux Klan and the immortal profile of John Barrymore cast their enigmatic shadows across their path. As Peters and Fields pursue their quarry, an additional, mysterious desperado lights on their tail, whose interest lies not so much in grabbing Fields's fortune as in cancelling his - and Toby's - accounts. Permanently.

Illusion gets more deadly than reality on Toby Peters's twenty-fourth outing from Edgar-winning author Stuart M. Kaminsky. A string of star-studded successes—most recently with Cary Grant in To Catch a Spy and an edgy Joan Crawford in Mildred Pierced—has won Tinseltown detective Toby Peters a bit of local celebrity, and that's something his new client, Harry Blackstone, understands. At the Pantages Theater in Los Angeles, Blackstone is billed as the World's Greatest Living Magician. Of course, should the giant buzz saw in the climax to Blackstone's act cut the beautiful young woman in fact in half, his sterling reputation would be ruined. And someone among the Los Angeles Friends of Magic is decidedly intent upon ruining it—whatever the price, including the life of Toby's prime suspect. Unfortunately, with the corpse count mounting, the evidence is pointing increasingly to Toby's client as the man behind the murders. As always, adding to the wackiness of Toby's investigation are the ungentle dentist Sheldon Minck, wrestler-poet Jeremy Butler, the suave, small-statured Swiss multilingualist Gunter Wherthman, and daffy Mrs. Plaut. But to solve the case, Toby finds he needs someone else—the dashing star of the movie A Thousand and One Nights, Cornel Wilde.Amazon.com ReviewThe storytelling formula Stuart M. Kaminsky employs in his madcap mysteries featuring low-rent, World War II-era Los Angeles private eye Toby Peters has proved remarkably successful over more than a quarter century. Each entry in this series (beginning with 1977's Bullet for a Star) finds Toby taking on a celebrity client; being beaten silly at least once during the ensuing investigation; contending with a supporting cast of misfits ever eager to supply ludicrous asides; and eventually, despite meager expectations of his genius, unearthing clues enough to expose a murderer. Yet even with all those familiar ingredients in place, Now You See It, the 24th Peters tale, doesn't capture the magic of its recent predecessors.Which is ironic, since this yarn is all about magic. Toby, now pushing 50 and freshly partnered with his brother, choleric ex-homicide cop Phil Pevsner, is hired in June 1944 to protect "the world’s greatest living magician," Harry Blackstone. It appears that a wealthy but demented rival, "third-rate parlor magician" Calvin Ott, intends to ruin Blackstone's reputation while simultaneously enhancing his own. However, his process of humiliation seems more than a tad extreme, involving not only slaying a seedy PI during Blackstone's buzz-sawing-the-girl-in-half illusion, but also shooting the deceased's "tiger lady" girlfriend. Prepared to curb Ott's scheme, Toby is surprised when Ott himself is done in--knifed in the back of the neck during a formal reception in Blackstone's honor, with more than five dozen witnesses unable to identify the perpetrator. Quite a trick, especially as it leaves Blackstone with means and motive for committing the crime. In order to save the white-maned prestidigitator, Toby must find a phony waiter and a phonier turbaned gunman, stomach punchlines from comic Phil Silvers, enlist the swashbuckling talents of leading man Cornel Wilde, and--riskiest of all--submit to the oral ministrations of his pal Shelly Minck, "the devil’s dentist."There's a swell twist closing out this book, which proves once again the devious desirability of misdirection. And Kaminsky's decision to begin his chapters with excerpts from the old Blackstone, The Magic Detective radio show enhances both his tale's theme and its period flavor. At the same time, though, the formula of this series is strangely underaffected by Toby and Phil's new business relationship, and a swordplay scene, while entertaining, is gratuitous and unbelievable. Following two celebrated Peters outings, To Catch a Spy and Mildred Pierced, Now You See It conjures up comparatively little novelty. Kaminsky may have to pull a rabbit out of his hat next time to stay on top. --J. Kingston PierceFrom Publishers WeeklyWhen PI Toby Peters answers the bell for the 24th time, his footwork is as nimble as ever, even if the dance will be familiar to fans of Kaminsky's Hollywood historical series. The celebrity-friendly detective has aided every kind of star from Errol Flynn in the first book (Bullet for a Star) to Joan Crawford in the most recent (Mildred Pierced). Toby often earns gratitude, frequently reaps scars and bruises, but never garners the kind of riches likely to change his boarding-house lifestyle. As WWII appears headed for a close, the great magician Harry Blackstone, who's been challenged and (apparently) threatened by a third-rate competitor, approaches Toby. Now teamed up with his brother, Phil, Toby undertakes to protect and unmask Blackstone's nemesis. Kaminsky makes an art of interjecting bits and pieces of period color, from Toby's dilapidated Crosley auto to 1940s songs or jingles. The running madcap humor includes landlady Irene Plaut's endless memoirs and dentist Shelly Minck's wacky inventions. Murder transforms Blackstone from magician to suspect and leaves him holding the bag, with predictably enjoyable results. Intriguing but simple magic tricks borrowed from Blackstone: The Magic Detective radio show serve as clever chapter lead-ins. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

That down-at-the-heels gumshoe Toby Peters again proves to be “an unblemished delight,” as the Washington Post Book World put it, while his creator, Stuart M. Kaminsky, continues to “make the totally wacky possible” in a zany new Hollywood adventure. Having survived the hire of such movie luminaries as Humphrey Bogart, Bette Davis, Charlie Chaplin, and Cary Grant, tinsel-town detective Toby finds himself in the employ of an edgy Joan Crawford. Actually, Toby needs Miss Crawford as much as she needs him. His longtime friend and office mate, the mad dentist Sheldon Minck, has been jailed for murder—the victim, his estranged wife, Mildred; the motive, a $200,000 inheritance; the weapon, a crossbow. Only Miss Crawford, the single witness to the crime, can attest to hapless Minck’s innocence. But the former MGM movie queen has just been offered her first film in two years, as the title character in Mildred Pierce, so she is anxious to avoid unpleasant publicity that could cost her the role. So it’s up to Toby to solve the crime, save Minck, and thus keep Miss Crawford’s famous name out of the daily papers.From Publishers WeeklyOld pro Kaminsky serves up his usual amiable blend of nostalgia, humor, eccentricity and a mystery built around a celebrity (typically a film star) in his 23rd book to feature PI Toby Peters (after 2002's To Catch a Spy). While his long career hasn't been lucrative, it has allowed Toby to assemble a wealth of unusual friends, including dentist Sheldon Minck. Sheldon gets in over his head when he takes up with a strange survivalist group and, apparently, slays his wife with either a well-aimed or an errant crossbow bolt. Sheldon has the weapon and the motive, and the police have Sheldon and a witness who is none other than Joan Crawford. Getting Sheldon out of jail and keeping the actress out of the news become Toby's twin priorities. Toby still lives at Irene Plaut's boarding house and struggles with his relations with his brother, Phil. Kaminsky fashions the character of his guest star from bits and pieces of her public and private personas so that Crawford appears both familiar and new. While the mystery as such may be routine, details of the time (1944), from Toby's car (a Crosley) to the radio shows (The Aldrich Family) to the projected price of a postwar car ($900 for most, as much as $1,400 for a "luxury" model), will bring smiles of recognition to older readers. Copyright 2003 Reed Business Information, Inc. From BooklistStarred Review A woman named Mildred is pierced by a bolt from a crossbow in a public park; Joan Crawford, out on an errand before she begins filming Mildred Pierce, witnesses the killing. So, Kaminski's punny title for the twenty-third Toby Peters mystery perfectly captures the ridiculous (in the best sense of the term) cross-cutting between detection and movie lore that has long been the hallmark of this series. Peters' career as an ex-cop-current private eye spans a fascinating chunk of Hollywood movie history, from the Depression--Murder on the Yellow Brick Road (1977), in which Peters took on the case of an allegedly murderous Munchkin--into World War II. Now, it's June 1944. Toby is still figuring out the ration points for his boardinghouse landlady and renting office space from the dentist Sheldon Minck. It's Minck who's in trouble, big time, because he admits shooting the crossbow that killed his wife but insists it was another of his many klutzy accidents. Peters is working for both Minck, who hires him to help prove his innocence, and Joan Crawford, who hires him to keep her name out of the papers. As Peters investigates, he is pulled into a bizarre world of survivalists who want Minck dead and, once again, into the bizarre world of Hollywood infighting. Kaminsky stands out as a subtle historian, unobtrusively but entertainingly weaving into the story itself what people were wearing, eating, driving, and listening to on the radio. A page-turning romp. Connie FletcherCopyright © American Library Association. All rights reserved